Just in time for the holidays! Wines of Croatia is proud to offer for sale – exclusively and for the first-time ever in North America – the beautifully filmed and informative Croatian Wine Story (“Hrvatska Vinska Priča – Putevima Vina”) DVD.
The 115-minute film, directed by Miroslav Mirković and produced by Mandrak Productions, takes us on an eye-opening journey through some of Croatia’s most stunningly beautiful wine regions, including Baranja, the Croatian Littoral, north and south Dalmatia, the Dalmatian Hinterland, Istria, Moslavina, Plešivica, Slavonija, Srijem, and Zagorje-Međimurje.
Your guides on this journey are Franjo Francem, a well-known Croatian enologist, and Nataša Puhelek, the reigning “Croatian Wine Queen”. Together they will take you on a four-season trip throughCroatia, where you will visit some of the country’s leading wineries. From the first bud break all the way to harvest (and ice wine harvest!) you will have an armchair view of the life in the vineyards ofCroatiaand a sneak peek behindCroatia’s unique “wine story”.
For a glimpse of the scenery that awaits you in this film, check out this trailer:
Wineries featured in the film include: Agrolaguna; Belje; Benkovac (Badel 1862); Coronica; Vinarija Daruvar (Badel 1862); Vinarija Dingač, (Badel 1862); Đakovačka vina d.d. (Misna Vina); Enjingi; Gerštmajer; Grabovac; Iločki Podrumi; Istravino; Jakopić; Kabola; Katunar; Krauthaker; Kutjevo dd; Miklaužić; Mladina; Petrovečki; Skaramuča; Tomac; Vinoplod; PZ Vrbnik; Zdjelarević; and Zlatan Otok.
The film contains 31 chapters and is presented in the Croatian language with optional English or Slovenian subtitles available.
Important Note: The film is only available in PAL format (Region 2), which can be played on most computer-based DVD players and multi-format home DVD players. Unfortunately it cannot be played on standard NTSC-formatted (Region 1) DVD players. We tested the DVD on several computers, and it played perfectly each time.
Quantities are limited! The special introductory/holiday price per DVD is $20 USD, plus $6 USPS Priority Shipping (Total = $26) to most U.S. addresses. For addresses outside the U.S., please email us for the shipping price.
Payment should be made via Paypal to the email address email@example.com. Please contact us for more details, if you have any questions, or if you would prefer to pay by check or money order. Sorry – we cannot accept credit cards at this time.
We think that you – or your favorite Croatian wino – will really enjoy this film, so order your copy now, pop open your favorite Croatian wine, and begin your journey down the wine roads of Croatia from the comfort of your own home.
(While this in fairly old news now, for the sake of posterity and future curious minds – and anyone who might have missed it all – here is a recap of the Wines of Croatia Grand Portfolio Tasting event in New York City back in June, along with two videos of the festivities. It was a great day, one that we hope to repeat next year and on in other locations. Stay tuned – and enjoy this look back in time.)
On June 13, 2011, Wines of Croatia – in partnership with the Association of Winemakers at the Croatian Chamber of Economy (Hrvatska Gospodarska Komora) and the Consulate General of the Republic of Croatia in New York – held the first-ever Grand Portfolio Tasting of the country’s top wines.
The event, held at Hudson Terrace in New York City, was attended by 120 sommeliers, wine buyers, journalists, bloggers and other trade personnel.
At this historic invitation-only tasting, nearly a dozen producers from Croatia’s leading boutique wineries poured their terroir-specific wines from the continental and coastal regions of Croatia.
Guests of the Grand Tasting were treated to wines produced from an array of indigenous grape varieties, including Malvasia Istriana, Pošip, Teran, Plavac Mali, Graševina, Malvasia of Dubrovnik, Babić, Debit, Crljenak Kaštelanski, and Žlahtina, as well as international varieties like Merlot, Cabernet Sauvignon, Chardonnay, Sauvignon Blanc, and Riesling.
Prior to the rooftop walk-around tasting, an educational seminar was conducted by Certified Sommelier and Wines of Croatia founder, Cliff Rames. Guest speakers at the seminar included Joe Campanale, sommelier and co-owner of Anfora Wine Barin New York City, and winemaker Ivica Matošević.
Here is a really cool video documenting the day’s events:
Representatives of the Croatia Chamber of Economy included Davor Komerički, Morana Stinčić, Igor Barbarić, Ivona Grgan, and Božica Marković. Representing the Consulate General of the Republic of Croatia in New York and joining us as honorary guest was Consul General, Marijan Gubić.
To salute Croatia’s status as a truffle-producing nation, a noted truffle hunter from Tartufino was also on hand to discuss Croatia’s deep historic connection with truffles from the Istria region.
Two weeks ago, I had the great pleasure of attending – for the first time – the 2011 North American Wine Bloggers Conference (#wbc11), which was held July 22-24 in Charlottesville, Virginia.
Coming along for the ride in the hope of finding love was a tote full of Croatian wines, some of which were samples kindly provided by importers (Blue Danube Wine Company, Vinum USA, and Oenocentric), and others from my personal collection. My hope was to share them at some point with my fellow bloggers and winos – or anyone else who wanted to learn about and taste them.
But where? When? I was just a conference attendee, not a sponsor or part of the official program, upon which I consciously did not want to intrude.
To make a long story short, on the last afternoon of the conference (Saturday) Fred Dexheimer MS and I hatched the idea to invite folks up to his room after the evening’s program of activities concluded for an “unofficial” Croatian wine tasting – or as it came to be known, the #afterafterparty.
At 3:45 pm the first tweet went out: “#wbc11 peeps – come join us tonight! Pouring Croatian wines with @FredDexMS…room 606 after 10. The Plavac calls! BYG.”
Then at 8:09 pm: “Native grape jamboree: Plavac! Crljenak! Malvasia Istriana! Posip! Babic! Teran. #Croatiacrawl tonight! After 10, rm 606. #wbc11”. Followed by: “The Donkey calls! Plavac Mali & friends! ##WBC11 peeps come say hi: rm 606 after 10. #Croatiacrawl”.
The rest we left to the mysterious ripples of Twitter and the magic of social networking….
A huge THANK YOU to everyone who heard the Donkey call, retweeted my tweets, spread the word, and showed-up for our little impromptu tasting. Never in my wildest dreams did I expect so many people. Room 606 was bursting at the seams! And the Croatian wine – as Fred tweeted at 11:09pm – “flowed like water”!
Unfortunately, my small allotment of bottles was quickly consumed by many a curious blogger. But not before I had the chance to meet some very special people, folks of all ages who appreciate wines that are perhaps a little different, a bit tongue-twisting to pronounce, sometimes a little funky, but always authentic and interesting.
An extra special thanks to Richard Jennings, who made a valiant effort (despite the growing crush of a crowd) to listen to my descriptions of each wine and record notes. You can read his excellent blog post about the #wbc11 conference HERE, which included these very sweet words: “I did see a Twitter invite, however, for a Croatian wine tasting happening upstairs in someone’s room, from Cliff Rames, who has retweeted my few blog posts about Croatian wines (attracting large numbers of viewers to those posts), so I decided to check that out before heading back to my hotel. I’m glad I did. I got to meet Cliff…and tasted there several of the most interesting wines I tried all weekend.”
A special thanks also to Eric Asimov, Chief Wine Critic for the New York Times, who also stopped by and asked me to choose just two wines for him to taste. As it happened, at that moment I was pouring the Krajančić 2009 Pošip Intrada and Korta Katarina 2006 Plavac Mali, which were fine choices in any event.
As any true professional would, Mr. Asimov quietly tasted the two selections, politely thanked me, then wandered off to enjoy the company and energy of the Room 606 crowd.
OMG! He showed up! Perhaps out of curiosity, perhaps out of boredom, perhaps out of genuine interest….Only Eric knows. But let us hope that one day he wanders over again to taste a bit more and – just maybe – that important day will arrive when Croatian wines appear in The New York Times Wednesday wine column.
For those of you who came out to Room 606 that evening, and for those of you curious about the wines, here is the list of what was served:
1. Krajančić 2009 Pošip “Intrada” – Korčula island, Southern Dalmatia
8. Korta Katarina 2008 Plavac Mali – Pelješac, Southern Dalmatia
9. Zlatan Otok 2008 Crljenak Kaštelanski – Makarska, Southern Dalmatia (corked; removed from line-up)
10. Saints Hills 2008 Plavac Mali Dingač, Sv. Lucia Vineyard – Pelješac, Southern Dalmatia
There may have been a few others, but at some point during the crush of the evening I lost track of the bottles and surrendered any illusion of a systematic tasting. As a dear experienced drinking friend of mine often says, “One tastes like two, two tastes like three, and after three, it’s away all boats.”
And so it was. Until around 1 am – when a nice security officer from the hotel asked us to move to the hotel lobby or break it up. We were too much for Room 606 and apparently for its neighbors too….
All-in-all, it was a wonderful conference – the highlight of which was (for me) the #afterafterparty in Room 606, where for just a little while Croatian wines were the center of attention, making new friends and (hopefully) a few happy memories for those of you who were so kind to come. Thank you again!
One last thanks goes to Fred Dexheimer MS, who is always a source of inspiration. I never cease to be amazed by the man’s energy. It was Fred who was the occupant of the now legendary Room 606 in the Omni Hotel, Charlottesville, and who generously offered the place for the first-ever (albeit unofficial) #croatiacrawl at #wbc11.
Thank you, Fred, for your ongoing support and encouragement. You rock, dude!
If anyone is interested in writing about Croatian wines for your blog, please feel free to contact me at firstname.lastname@example.org.
“Živjeli!” (“Cheers!”, in Croatian). I hope to see you all again at next year’s conference in Portland, Oregon. #wbc12 – the best is yet to come!
From March 27-29, 2011, the wine world was focused on Düsseldorf, Germany, site of one of Europe’s most important wine festivals: ProWein.
According to the organizers of the festival, ProWein 2011 was attended by over 3,600 exhibitors from some 50 countries. Attendance reached 38,000 – a 5% increase over 2010.
The organizers also noted an increase in the number of international guests, primarily from Great Britain, Scandinavia, the USA and Canada, as well as Eastern Europe – especially Russia, the Czech Republic and the Baltic states. The festival also saw an increase in the number of visitors from Asia – most notably China, Thailand and Hong Kong. Festival organizers reported that over 80% of visitors were individuals who are directly involved in purchasing decisions (Source: Visitor Survey at ProWein 2011.)
For the 5th consecutive year, Croatian winemakers were among the international exhibitors, with 25 of the most important wineries in Croatia participating, collectively representing more than 150 wines.
Croatia’s participation in this year’s ProWein fair was sponsored by the Croatian Chamber of Economy (HGK), in cooperation with the Ministry of Agriculture, Fisheries and Rural Development (MPRRR).
With total space of 95 square meters, the Wines of Croatia booth was the focus of much attention, as trade professionals stopped by to investigate and taste the wines of Agrokor-Vina, Arman, Badel 1862, Capo, Cattunar, De Georgiis, Feravino, Jako Vino, Kabola, Kalazić, Korta Katherina, Krauthaker, Kutjevački Podrum, Lagradi, OPG Božo Bačić, OPG Šime Škaulj, Roxanich, Saints Hills, Suha Punta, Trapan, Veralda, Matošević, Vinski Vrh, Vinoplod, and the University of Zadar.
“This fair is of great importance to Croatian wineries, because it is an opportunity to present the wines of Croatia to an international audience”, said Rajko Ružička, Assistant to the Director of the Office Agriculture, Food and Forestry at the HGK.
“We hope that our presence at the fair will help to increase exports of Croatian wines, especially in regard to Germany, which at 600,000 liters annually makes it the second largest foreign market, after Bosnia-Herzegovina. That is why the HGK and MPRRR support Croatian wineries at international festivals like this, because it is critical to effectively present and position Croatian wines in potentially interested foreign markets.”
Due to the large volume of business conducted during the festival and shear number of journalists present, ProWein is an opportunity that under no circumstances should be missed, said Saša Špiranec, Chairman of the Association of Croatian Wineries Festival Committee at the Croatian Chamber of Economy (HGK).
“ProWein is the starting point of marketing activities of our new association, whose primary mission is to raise awareness among the wine consuming public about the wines of Croatia. The task of branding Croatian wine includes many promotional tools – including specialized fairs like ProWein”, said Špiranec.
Đuro Horvat, president of the Association of Croatian Wineries at HGK, added that Croatian winemakers regard the creation of a strong Croatian wine brand – one that showcases the excellent quality and originality of the wines – as crucial for the export market.
“Export trends from year to year indicate movement towards high quality wines from premium categories. That is why this festival is important as an opportunity to establish business contacts and ultimately increase wine exports through new sales,” said Horvat.
“Croatian wines are growing more and more interesting to international consumers and markets, who are increasingly seeking out wines of origin produced from indigenous grapes. This is especially true in more developed markets, such as Germany and Great Britain, where the rate of wine consumption is growing and the market is saturated with the most popular international varieties,” added Horvat.
Across six pavilions, visitors to ProWein were treated to a comprehensive snapshot of the world wine market and a selection of thousands of wines to taste. ProWein is an important bellwether of emerging trends and a showcase for new products and services, as well as an ideal venue for networking between visitors, producers, exhibitors, distributors and the media.
Summing up the positive results of ProWein 2011, Hans Werner Reinhard, Deputy Managing Director at Messe Düsseldorf, said: “We are delighted with an extremely successful event! Our positive expectations were even exceeded. ProWein 2011 went splendidly. ProWein was impressively able to underline its status as the leading international fair measured by all key performance indicators. It brings the supply and demand sides of the wine and spirits market together at an international level in a uniquely professional atmosphere and it is the perfect meeting point for the sector to showcase trends and innovations, to discover and discuss.”
Next year’s ProWein event is scheduled for March 4-6, 2012 in Düsseldorf.
[Sources: Nacional.hr article(in Croatian), published on March 28, 2011; ProWein press release, published March 29, 2011]
In Part 2 of this 3-part report, we went inside the festival to explore the venue, meet the VIP guests, and hear about the round table workshop. In Part 3, we provide some general observations about the wines, offer some “names to watch out for”, and mourn a missed opportunity to leave the festival in style. Živjeli!
[Note: The views presented here are strictly my own and are in no way intended to reflect the views of the festival organizers or its sponsors and partners]
Let me begin by saying, two days was not enough time to taste everything, even if it were not for the crowds and the less-than-ideal tasting conditions. Perhaps the organizers would consider extending the festival by one day next year? Just an idea….
Based on what I succeeded in tasting (see special note below), it was clear the quality of Croatian wines continues to rise. While a few of clunkers could be found here and there, a greater number of delicious treasures could be discovered and enjoyed at nearly every table. Overall the wines were well-made, full of character, expressive of a unique terroir, and very drinkable.
It was also great to see so many of the well-established, bigger wineries investing in new winery technology, newly designed packaging, and updated marketing strategies – thereby demonstrating an understanding that they cannot rest on their laurels if they are to survive in the current market environment.Agrokor Vina, a conglomerate that owns several wineries and nearly 1,700 hectares of vineyards, has recently invested heavily in redefining its brands and market presence. The results are now in bottle: many of their brands are very approachable, value-driven, quality wines with attractive packages offered at affordable prices. This could easily propel Agrokor to the lead as a producer of competitive, value-driven gateway wines, especially for the export market.
Not to be outdone, many of the traditional industry-leaders and well-established wineries have stepped up their games, becoming more active with social media, introducing new wines and labels, and taking steps to ready themselves for the international market.
These key players include: Krauthaker (the man who put premium Graševina on the map and whose TBA Graševina landed a much-celebrated place on the wine list of Heston Blumenthal’s The Fat Duckin London)….
Feravino(their new “Dika” and “Miraz” Graševina labels are very approachable and tasty); and Kozlovic(his 2009 Malvazija was the stand-out favorite of Decanter’s Sarah Kemp)…
Matosevic (watch out for his new “Grimalda” wines, a red “Super Istrian” blend and a white Malvazija/Chardonnay/Sauvignon Blanc blend); Kutjevacki Podrum(their “De Gotho Aureus” 2009 Chardonnay just took the silver medal at the 2011 Chardonnay Du Monde competition in France)….
Then there’s: Bura-Mokalo (this dynamic duo of a brother/sister winemaking team are the early pioneers of “cult” Plavac Mali wines; watch out for a new Zinfandel release this year); BIBICh(his new limestone “kamenica”-fermented, long-macerated Debit may take the orange wine category to new heights)….
Caric(produces a lovely, fresh, seafood-friendly white from Bogdanuša, an indigenous variety native to Hvar island; also produces an interesting Beaujolais-style young Plavac Mali called “Novello”; just introduced some very cool new labels too!); and Zlatan Otok(their first-ever commercial production of Crljenak Kašelanski has been scoring very well and is making history as the first-ever commercial production of the “original Zinfandel”).
Even more exciting was to see a new generation of rising-star winemakers who are truly making names for themselves with wines that are clean, well-made, expressive of place, and cleverly and attractively packaged.
Names that come to mind as examples in this category are: Dimitri Brečević (his “Piquentum” Teran and Malvazija wines from Istria are generating a lot of excitement); and Benvenuti(making some very impressive sweet wines from Malvazija Istriana and Muscat of Momjan under the “San Salvatore” label).
Then there’s: Marko Gerzinic(noted for his beautiful stainless-steel fermented Teran and consistently good Malvazija); Franco Radovan (his young Malvazija wine is incredibly pure and fresh; cute label too!)…
Bruno Trapan(with cigar in hand, this young upstart winemaker has rocked the domestic wine scene with a number of recent awards and high scores, especially for his macerated and mature Malvazija wine, “Uroboros”; he recently opened a brand new winery and tasting room in the style of a train depot, called “Wine Station Trapan”)….
Watch out for the “other” white wine of Korčula island (more commonly known for the Pošip grape), made from the indigenous Grk variety (producers Cebalo and Bire are pioneers of Grk wine and are working hard to revive interest in the grape and the quality of the wines); and Grabovac(one of the only producers of sparkling wine in the Dalmatia region, Grabovac is noted for their unique wines made from Kujundžuša and Trnjak – two obscure native grape varieties from the Dalmatian hinterland).
Other names to watch out for: Roxanich (a winery with a rockin’ name, owner Mladen Rožanić is considered the father of the “Super Istrian” red blend; he also makes a wonderful extended skin maceration, wood-aged “Antica” Malvazija that is almost an orange wine;); Moreno Coronica(his ’07 “Gran Teran” is a profound expression of Istria’s native son red grape); Velimir Korak(making elegant Chardonnay and Pinot Noir in the cool Plešivica region); Boris Drenški “Bodren” (for award-winning TBA and ice wines)…
Giorgio Clai (an organic/biodynamic winemaker who produces somewhat inconsistent yet fascinating, terroir-driven wines); Moreno DeGrassi (his “Terre Bianche” blend of Malvazija, Chardonnay, Sauvignon Blanc and Viognier was the fan favorite at the Gala Dinner).
More names to watch: Leo Gracin (“the Professor”; a consultant and winemaking pioneer of the indigenous Babić red variety of northern Dalmatia; his 2008 vintage was another favorite of Decanter’s Sarah Kemp); Frano Milos (long considered a “traditionalist” among Plavac Mali producers, the increasing involvement of his very attractive, twenty-something son and daughter in his marketing and social media activities has injected new energy into his brand; his “Stagnum” Plavac Mali is a cult favorite)….
Luka Krajančić (his Pošip “Intrada” and “Sur Lie” is taking the native Pošip white grape from Korčula island to a whole new level; world class juice!)….
Finally, there’s Saints Hills , whose “Nevina” and “Dingač” wines are well on their way to achieving cult status (Ernest Tolj’s winery now stands poised to release a new and exciting Plavac Mali rosé this spring, “St. Heels” with a sexy, craftily cheeky and irreverent label depicting a pair of women’s high heel shoes. We also eagerly await the first-ever vintage  Plavac Mali wine from the new “St. Roko” vineyard at Komarna).
[Special Note: To all the winemakers I didn’t meet, I’m sorry! It was impossible to make it to every table, and my selection of who to visit was completely random, subject to the surges of the crowd, and dependent upon how much time I had between meetings in the café. I didn’t mean to miss this opportunity to meet you and taste your wines. For what it’s worth, I am very aware of whom I missed, and I hope to one day have another chance to visit you and taste your wines.]
Okay, how can I put this diplomatically….? I spent most of the time at ZWGF starving.
Starving is an odd way to pass the time at a festival that touts the word “gourmet” in its title. The fact is, there was very little to eat, at least I couldn’t find much. Yes, there were the 16 food vendors with their tooth-pick-harpooned nibbles and bites, and the 15 Kuna sandwiches at the café bar….But it was the “gourmet” part that I needed – and was so sadly missing.
Okay, yes – there was the cooking demonstration tent. A couple of us, lured by the scrumptious aromas coming from within, tried unsuccessfully to grab a plate or two of the gourmet dishes prepared by guest chefs. These small plates were randomly handed out to lucky mouths in the audience (the system for receiving one of these tasty-looking offerings seemed to entail being in the right place at the right time) – but not to us.
Mouths watering and defeated, we went to the information booth to ask about our dining options in the vicinity. The friendly (English-speaking)information desk girl told us to go to the shopping center across the highway, where (we were told) there were surely some fast food places….
Having learned my lesson, the next morning I really filled-up at the breakfast buffet in the Westin Zagreb hotel. For an inclusive hotel breakfast, it was really quite an extensive and satiating spread.
It was not until the festival was over that I realized my greatest disappointment of the trip: I had missed “the Slide”.
The Slide? Is it an art exhibit? A secret restaurant?
Nope. It’s a huge metal tube that corkscrews all the way through the center of the Museum of Contemporary Art Zagreb, traveling down from the 4th floor to street level. Given the opportunity, a person could slip into the shiny tube and slide all the way down to the bottom, where he/she would be spit out onto the sidewalk outside the museum. The slide looks like this:
Riding that slide down and out would have been the grandest and most memorable exit from any wine festival ever, anywhere, anytime! Period.
Maybe the museum is not such a bad venue after all. Maybe the organizers will decide to hold ZWGF there next year.
The crowds? Who cares! The hunger? Never mind!
A good whirl on that giant silver slide would have made all of those things just a second thought…a pesky inconvenience…the price of greatness!
In fact it should be mandatory. Everyone should be asked to leave the festival on the slide. What a hoot that would be!
In a recent articlefor Wine Spectator, Matt Kramer wrote that “terroir” is no longer enough to sell wine; most wine regions today hold some claim or another to terroir. What we need more of (writes Kramer) is “narrative”. The question then becomes, what “stories” do the wines or wine-producing regions have to tell?
As silly as it may seem, I mention the slide here because (for me) it suddenly became such a wonderful component of Croatia’s somewhat quirky and complex wine story – a memorable detail that sets ZWGF apart from many other wine expos and festivals.
Despite a few minor glitches and lessons learned, ZWGF demonstrated that Croatian wine producers are ready and able to join hands with the world of wine and take the plunge into the future. While the journey has just begun, the twisting way forward – if smartly navigated with poise and passion – promises to be a lip-smacking, exhilarating ride.
[Note: The views presented here are strictly my own and are in no way intended to reflect the views of the festival organizers or its sponsors and partners]
Okay, I know: It was too crowded. Too packed. Too small. Too hot and noisy. All those dead-end alleys stuffed with herds of winos, unable to move or escape. Winemakers unable to hear or speak with the guests; sometimes unable to access their stock of fresh bottles when faced with empties; unable to retreat to the bathroom…..
And yes, the coat room would completely filled-up by noon, forcing many guests to carry their heavy winter coats (it was cold in Zagreb!), scarves and bags around the tasting room floor.
And the last shuttle bus of the festival, in the cold night after a long day of tasting, apparently never showed up – forcing several guests (including me) to chase down taxis back to the hotel….
It’s all been said already.
But let me add this nugget: The festival was a victim of its own success.
The Museum of Contemporary Art Zagreb, where the festival was held, is a lovely facility that was barely adequate to accommodate the crowd that turned out to discover the wines within. Interest was obviously high, and it seems likely that the organizers underestimated the potential number of attendees. While open to the public, tickets were not cheap (150 Kuna, or about $30 – a lot of money for many Croatians), thereby screening out many (although not all) individuals who might otherwise see the event as a great way to have a drinking party with pals and buddies. Nonetheless, hundreds of people paid the money in exchange for a chance to taste some awesome juice and meet the faces behind the labels.
A recommendation for next year: Reserve 2-3 hours in the morning exclusively for accredited members of the trade and media to walk through, taste, chat with winemakers, and network with like-minded peers without the throng of public attendees (who could be admitted afterwards). Many tastings and expos I have attended over the years are organized in this fashion. It seems to work well.
To their credit, the organizers DID on the first day try to offer a solution by scheduling a 3-hour “by invitation only workshop” for “foreign wine journalists and wine buyers”. I was invited but honestly forgot about it in the swirl of activity and meetings. I also wonder who attended it, since most of the action and winemakers were out on the public floor.
The Café Bar
A refuge from the sensory overload and crushing grind of the tasting hall was the museum’s little café bar, a quiet place where exhausted refugees huddled to recharge their palates by drinking coffee, sparkling water – and beer. The little café was also a popular spot to hold business meetings (I had about 6 of them there), as well as a reliable source of fast, cheap eats in the form of sandwiches at 15 Kuna each (more about the general food situation in Part 3).
The VIP Guests
Each year the ZWGF seems to become a little bit less insulated and more outward focused. And that’s a great thing, as Croatia is an exciting emerging winemaking country that should be blowing its trumpets and utilizing all its tools and resources to draw attention to its fabulous winemaking history and culture.
This year was especially exciting, as the guest list included many interesting and important VIPs from the international wine trade and media. Among the VIP guests were Sarah Kemp and Christelle Guibert, respectively the Publishing Editor and the Tasting Editor from Decanter magazine; Gabriella and Ryan Opaz, founders of Catavinoand the European Wine Bloggers Conference; Peter Moser, Editor-in-Chief of Falstaff; Dr. Josef Schuller, Master of Wine; Lynne Sherriff, Master of Wine and Chairwoman of the Institute of Masters of Wine; and Nicolas Joly, legendary French winemaker and current godfather of the biodynamic movement, who conducted a fascinating seminar called “Biodynamics in Wine Growing”.
[One note for the record: Somewhere in the official ZWGF press materials and program booklet, I am listed as “Master Sommelier”. I am NOT a Master Sommelier but rather a “Certified Sommelier”. Out of reverent respect for the brilliant and hard-won achievements of real Master Sommeliers, my conscious demanded that I make this correction. I am, however, a master at consuming large amounts of wine; a master of procrastination; and master at a few other nasty habits. Yet a Master Sommelier I am not – but I hope to become one when I grow up.]
The Round Table Workshop
Another really interesting event at the festival was the Round Table Workshop, scheduled for the morning of Friday, February 25th. Unfortunately, the space for the workshop was again inadequate for the large number of people in attendance. It was also very noisy (one side wall was open and funneled all the noise from the main tasting hall into the workshop room). I found out afterwards that a number of people in the rear of the room could not hear the presenters, despite attempts to use a microphone, and left in frustration.
That is a pity, because the subject of the round table – “Perspective and real Potential of Croatian Wine and Wine Tourism” – was very important and interesting. Presenters included an eclectic mix of trade professionals: Saša Špiranec, Croatian wine reviewer and writer, gave an overview of Croatia’s wine regions, annual production, and grape varieties; Sarah Kemp provided perspective on the world of wine and how Croatia could become a player on the international market; Mr. Tony Hodges, Chairman of the London-based P.R. firm, brandstory, spoke of the power of storytelling in marketing; Duro Horvat, Managing Director for Agrokor(one of Croatia’s largest wineries), and winemaker Ivica Matošević provided some perspective from the viewpoints of their respective large and small wineries; Mr. Matošević also spoke of his marketing success as president of the Association of Winegrowers and Winemakers of Istria, Vinistra; and Ryan Opaz from Catavino spoke about the importance of social media in the wine trade.
The subject of my piece of the round table presentation was entitled, “The Openness of the U.S. Market to New Wine Regions” – like Croatia. You can watch a video of my presentation here on YouTube.
According to the ZWGF website, the festival featured over 130 exhibitors and included “crème de la crème” among Croatian wine and culinary stars (the official ZWGF roster included 76 Croatian wineries).
Over 500 wines from eight Croatian wine-growing regions were presented, as well as a selection of wines from Austria, Bosnia-Herzegovina, Germany, Italy, Montenegro, New Zealand, Slovenia, and South Africa.
In addition, about 16 vendors of food products and delicacies were among the exhibitors. From them I was able to secure a few slivers of prosciutto and salami when I was starving (which was always), washing them down with a cube or two of bread dipped in olive oil.
Next: The wines….
End of Part 2. Part 3 will follow very soon. Stay tuned!
Editor’s Note: With this report, Robert Parker’s influential “Wine Advocate” journal has published its first-ever review of a selection of wines from Croatia. The report and subsequent scores were written and posted by Neal Martin of www.wine-journal.com and www.erobertparker.com and are reprinted here with permission.
In Part III of his report, we present Mr. Martin’s reviews and scores (based on a 100-point scale) of wines from the Slavonia region of northeast Croatia, which Mr. Martin tasted in May 2010. The opinions and reviews contained herein are purely Mr. Martin’s work and are subject to copyright and may not be republished elsewhere without permission of the author.
In the previously published Part II of his report, Mr. Martin discussed his perception of the “wrongs and rights” of the Croatian wines he tasted. For your convenience and introduction to the tasting notes and scores presented here, below is an except from the relevant section of text from that post.
I am convinced that Grasevina can produce fine white wine, indeed I fondly recall an impressive flight at the International Wine Challenge last April. Probably the best thing that anyone did was change the name and banish the associations we have with the much-derided Laski Rizling. Grasevina is easy to pronounce and provides a hook for some lovely, fresh, aromatic Croatian wines that perhaps need to work on their length: abundant flavour on the front palate but not the back-end to really make an impression. Growers need to watch those yields because they can engender bland, anonymous wines if not kept in check.
Part III: Tasting Notes of Slavonian Wines
2003 Enjingi Venje Late Harvest White Blend – 83
This Slavonian white is a blend of Grasevina, Riesling, Sauvignon Blanc, Pinot Gris and Gewürztraminer (just the kitchen sink missing!) The nose is simple and quite buttery, lacking a little delineation. The palate has a pleasing waxy entry and nice weight, marred by too much alcohol on the anonymous finish. Tasted May 2010.
2006 Enjingi Grasevina Late Harvest – 75
This just does not work at all. Simple marmalade tinged nose, the palate lacking definition and complexity on the raw finish. Tasted May 2010.
2003 Enjingi Venje Barrique Red Blend – 80
A strange nose: dark berried fruit, woodbines, smoke, thyme…some sulphide issues just lurking in the background. Sweet entry, a lot of residual sugar here rendering the finish very cloying. Tasted May 2010.
2008 Mihalj Grasevina – 85
This has a simple, primal nose with green apple, nettle and a touch of lemon. The palate is lacking complexity but the balance is good enough, with pear and kiwi fruit on the crisp finish. Fine. Tasted May 2010.
2008 Galic Grasevina – 87
This has a light minerally nose with white flowers, greengage and a touch of white asparagus. Nice definition. The palate has a ripe entry, good weight with touches of lemongrass, citrus fruit, nutmeg and good poise on the finish. Fine. Tasted May 2010.
2008 Galic Sauvignon Blanc – 77
Simple grassy nose, primal and simple on the palate. Rather dull. Tasted May 2010.
2008 Galic Pinot Noir – 72
Already showing some maturity, the nose is flaccid and the palate dull and lacking vigour. Tasted May 2010.
2008 Krauthaker Merlot – 83
This has a rounded, slightly honeyed nose with redcurrant jam, small red cherries and a touch of wild strawberry. The palate is fleshy and ripe but lacking structure and freshness towards the finish. Tasted May 2010.
2009 Krauthaker Grasevina – 82
Delivering 14% alcohol, this has a simple nose of cooking apple, pear and nettle with good lift. The palate is medium-bodied with primal, grapey flavours dominating. Not bad, but rather unexciting. Tasted May 2010.
2009 Krauthaker Mitrovac Grasevina – 83
This has a light pineapple, pear and lanolin nose with good definition…light and airy. The palate is quite rounded on the entry with hints of dried honey and melted butter, but the finish is very flabby. Tasted May 2010.
2008 Krauthaker Grasevina Mitrovac – 85
This is better than the 2009, with fresh pineapple and pear on the nose, touches of white flower developing with time. The palate is ripe on the entry with ginger and apricot, rather too much caramel dominating the finish through. Tasted May 2010.
2009 Krauthaker Chardonnay Rosenberg – 89
Matured in stainless-steel and new oak, the palate is well defined with citrus lemon, apricot and acacia honey with well integrated oak. The palate is well balanced, fruit-driven and generous with hints of dried orange peel, apricot and ginger, though it just needs more clarity on the finish. But otherwise this is a very confident Slavonian Chardonnay. Tasted May 2010.
2008 Zdjelarevic Grasevina – 83
This has a rather innocuous nose of melon, pineapple and crab apple, the palate nicely balanced but short and overtly simple on the finish. Quaffing pleasure but nothing more. Tasted May 2010.
2008 Zdjelarevic Chardonnay – 87
This Chardonnay has a simple, slightly smoky, introverted nose with moderate definition. The palate is ripe and primal, a little tight at first but loosening in the glass. Notes of lime, green apple and lemon zest on the finish that demonstrates good persistency. Tasted May 2010.
2008 Zdjelarevic Grand Cuvee Nagual (White) – 90
A blend of Chardonnay and Sauvignon Blanc, this really is quite impressive. The nose has fine definition with cooking apple, wild nettles and a touch of undergrowth. Hints of linden developing with time. The palate has a ripe entry with fresh lively citrus fruit, an almost sherbet quality on the fresh finish that reminds me of a fine Marlborough Sauvignon. Tasted May 2010.
2008 Kutjevo Grasevina de Gotho – 86
Lovely tropical fruit on the nose with orange-blossom, mango and passion fruit, leading to a phenolic entry on the palate, pear skin and gooseberry flavours mingle with nectarine and pine. It does lack focus, but an intriguing wine. Tasted May 2010.
2008 Kutjevo Chardonnay de Gotho Aureus – 86
This has a fine nose of apricot, marmalade and dried honey. The palate has moderate acidity with light touches of marmalade, quince and dried nectarines. Good acidity and length, if not the complexity of a great Chardonnay. Tasted May 2010.
2008 Feravino Grasevina – 86
This Grasevina has ripe apple, lime leaf and a touch of damp moss on the nose. Good definition. The palate is fresh on the entry with greengage and a touch of apricot, racy acidity, nice tension if lacking some length. Tasted May 2010.
2008 Feravino Frankovka – 77
This is over-extracted and rather volatile on the nose. The palate is sweet, over-extracted and cloying on the anonymous finish. Tasted May 2010.
2009 Belje Grasevina – 90
This is a lovely Slavonian Grasevina, with hints of pineapple, water cress and apricot on the nose with a faint tang of something sweet…toffee popcorn! The palate is ripe with good acidity, vibrant fruit of dried apricot, mellow and nectarine with very good weight on the finish. Excellent. Tasted May 2010.
2008 Belje Merlot – 86
A clean, soft, quite fleshy nose with wild strawberry, cigar box, smoke and dried herbs. Quite complex for a Merlot. The palate is medium-bodied and does not quite have the complexity of the nose, spicy red-berried fruit, mulberry and a touch of cooked meat/spice, but just lacking a little freshness on the finish to merit a higher score. Tasted May 2010.
2008 Daruvar Grasevina – 89
This has fine definition on the nose with light aromas of acacia, honey, fine lees and a touch of orange-blossom. The palate has a ripe entry with light honeyed nose, lemon peel and quince jelly, viscous towards the sweet finish balanced by good acidity and crispness. This is a well crafted Grasevina. Tasted May 2010.
P.S. from Editor: In Part IV, we will present Mr. Martin’s notes and scores for Istrian wines.