In a September 26, 2016 Los Angeles Times article entitled “In old-world Croatia, here are four trendy towns worth visiting”, author Margo Pfeiff lists four towns that one must visit in northern Croatia, which she describes as “rural regions known for their vineyards and welcoming agri-tourism farms….”
Zagorje is a wine growing region nestled in the cool, green rolling hills of northern Croatia, just beyond the capital city, Zagreb, and Medvednica mountain. Slovenia lies to the north.
The region is noted for the cultivation of cool climate grapes, about 90% of which are whites varieties such as graševina, pušiplje (aka moslavac or šipon), kerner, gewürztraminer, müller-thurgau (aka: rizvanac), yellow muscat, pinot blanc, pinot gris, riesling, sauvignon blanc, andsylvaner.
Red varieties include blaufrankisch, gamay, pinot noir, portugieser, cabernet franc, and cabernet sauvignon.
Enjoy the view – and try to taste these refreshing and food-friendly wines if you can! Cheers!
Last month, two editors from Wine Enthusiast magazine, Mike DeSimone and Jeff Jenssen (aka the World Wine Guys), visited Croatia to receive the Golden Pen Award from the Croatian National Tourism Board for their article called “Croatia – In Living Color”, which was published in the September 2011 issue of Wine Enthusiast.
After receiving the Golden Pen Award (“Zlatna Penkala”), the Wine Guys toured a selection of wineries, vineyards, hotels, restaurants and other sites in the continental region of Croatia.
The Wine Guys were escorted by Cliff Rames, sommelier and founder of Wines of Croatia, who along the way captured a few snapshots of their journey. We will be sharing an assortment of Cliff’s photos with you over the next few weeks, starting with this collection of shots from Korakwinery in the Plešivica wine-growing hills – a cool, hilly region about 30 minutes west of Croatia’s capital city, Zagreb.
Korak is best known for his chardonnay and pinot noir wines – considered some of the best in Croatia. You can read more about Korak HERE and HERE. Over lunch we also sampled the wines of Drago Režek, who fashions lovely Rizvanac (müller-thurgau) and Zeleni Silvanac (sylvaner) from grapes grown in his Plešivica vineyards.
A huge thank you to Velimir Korak, his wife, and son, Josip, and visiting winemaker, Damir Režek, for an amazing day and their wonderful hospitality!!
As a matter of fact, yes – you can find the variety growing all over Croatia. Heck, even the mother grape of chardonnay is Croatian, a little devil of a grape called štajerska belina – or gouais blanc – that long ago made its way to France where it crossed with pinot and sired chardonnay.
While quality is uneven, delicious chardonnay wines are produced across Croatia – from Istria along the coast (called the “Tuscany of Croatia” by the New York Times), to the amphitheater-shaped hills of Plešivica in the northern continental region and the Miocene Epoch-dated Pannonian Sea soils of Kutjevo in Slavonia.
Krauthaker’s Rosenberg100% chardonnayis sublime; while Kutjevo winery’s 2009Chardonnay de Gotho Aureus won a silver medal at the 2011 Chardonnay du Mondewine competition in France. Belje is a leading producer from the Baranja wine-growing (far northeastern Croatia), where among its expansive vineyard holdings is the esteemed 220 meter-above-sea-level, south-facing Goldberg appellation – home of its award winning Goldberg Chardonnay.
From Plešivica Korak Chardonnay is the benchmark beauty, and chardonnay forms 50% of the blend in Tomac’s iconic Anfora wine. If orange wine is your thing, Roxanich Milva chardonnay from Istria is fabulously elegant and complex with its creamy, mineral character and exotic fruit, floral, nut and honey notes.
Chardonnay is sometimes blended with other local grapes, like in Istria where it nicely compliments blends made with the local malvasia istriana (malvazija istarska) grape. Saints Hills Nevina, Matoševic Grimalda Bijelo, and Trapan Levante are a few prime examples.
Cabernet sauvignon? Check out the Podunavlje sub-region of Slavonia, whose terroir (long, warm growing season and ancient loam slopes along the Danube) delivers promising results. Iuriswinery in the Erdut wine-growing hills produces a tasty, food-friendly entry-level cab from their vineyards on the Kraljevo Brdo (King’s Hill) appellation.
In Istria, iron-rich “terra rosa” soils lend nice structure and minerality to the region’s red wines (think the Coonawarraregion of Australia); Agrolaguna (Festigia label), Coronica, Cossetto, Degrassi, Roxanich and Trapan all come to mind as producers who are banging out some really palate-worthy Istrian cabernet sauvignon. In southern Dalmatia, Dubrovački Podrumi(Dubrovnik Cellars) produces the benchmark southern climate cabernet, Trajectum, from its vineyards overlooking the Konavle valley just south of the tourist Mecca, Dubrovnik.
Merlot? It’s just about everywhere, from Dalmatia to Istria to Slavonia. Sometimes it’s good (Agrolaguna Festigia); BIBIChSangreal; Crvik; Frajona; Krauthaker; Roxanich); sometimes – not so much. Often it finds its best use in tasty Bordeaux blends, such as the excellent Dajla Cuvee Barrique from Istravino and the “Vrhunsko” 2007 red cab/merlot blend from Boškinac winery on Pag island.
Most famously, merlot (along with cabernet sauvignon and refosco) was a component in the Clai Ottocento 2007 Crno that Gary Vaynerchukreviewed – and fell in love with – on Wine Library TV. You can see Gary’s reaction – and watch the whole wines of Croatia episode (above).
Cabernet franc is sparsely-planted, but MorenoDegrassiin Istria produces a lovely version full of typical cab franc character (cherry and black fruits with a hint of tobacco and sweet herbs).
That pinot noir (‘pinot crni”) is only grown in a few select spots in Croatia is testimony to the grape’s fickleness and outright hostility toward inappropriate terroirs. But a couple of producers have had some luck with it, notably Velimir Korakin Plešivica and Vlado Krauthaker in Kutjevo (from grapes grown on the upper slopes of Mt. Krndija). Back in cool Plešivica, Šember winery offers a delicate and refreshing 100% pinot noir sparkling wine that tingles with hibiscus and watermelon flavors laced with seashell minerality.
Syrah? It’s emerging in a select few locations in Croatia and is still very much in the experimental phase. Early results though indicate that the grape (syrah/shiraz) seems to enjoy Croatian hospitality. A growing area to watch is the Dalmatian hinterland around the coastal city Zadar, where Alen BIBICh produces his acclaimed Sangreal Shiraz and Benkovacwinery cultivates 103 hectares of vines that spawned the award-winning 2007 Korlat Syrah.
In Istria, Bruno Trapan has seriously invested in syrah and is hedging his bets that it will do well on his 5 hectares of vineyards located 50-55 meters above sea level at Šišana near Pula. Trapan 2007 Shuluq Syrah received a “Commended” rating in the Decanter 2010 World Wine Awardscompetition. That said, I suspect that the international marketability of Croatian syrah will face many challenges, especially in light of the recent – and sad – downturn in global demand for syrah.
Let’s not forget Zinfandel. Technically, Zinfandel is a native Croatian variety called Crljenak Kaštelanski and its story and genetic links to Croatia have been widely documented. But because some Croatian producers are preparing to release wines labeled as “Zinfandel”, we will briefly mention it here. Zinfandel (aka Crljenak) is native to the Kaštela region of central Dalmatia, near the city of Split. Further south on the Pelješac peninsula, well-respected producer, Marija Mrgudić of Bura-Mugudić winery, planted Napa clones and is preparing for the first release of Croatian Zinfandel. Although the jury is still out on whether this grape can deliver as much potential as plavac mali (the variety that historically supplanted it) – or if American zinfandel producers will opposethe use of the “Zinfandel” moniker on labels from Croatia – it is an interesting development and can only help draw positive attention to Croatia’s winemaking culture.
Sauvignon blanc? Riesling? Pinot gris? Pinot blanc? All are planted in Croatia (where they are known as “sauvignon”, “rajnski rizling”, “pinot sivi”, and “pinot bijeli” respectively) and have a long history of being consumed locally as table wines, particularly in the cool continental regions. But a number of producers have invested in vineyard and cellar in order to improve quality and raise the profile of these varieties – especially sauvignon blanc and riesling. A very promising producer is Bolfanin the Zlatar wine-growing hills of the Međimurje–Zagorje region. The Bolfan portfolio includes some very intriguing, pure and refreshing whites across all styles (dry to sweet) from an array of grapes grown on its 20 hectares of stunningly beautiful “Vinski vrh” (Wine Summit) vineyards; the Bolfan ’08 Riesling Primus is drinking beautifully now with an off-dry, richly extracted profile of golden apples, pears and honey with hints of petrol and wet stone minerality. Tasty!
For sauvignon blanc, watch for the award-winning Badel 1862 Sauvignon Daruvar and ZdjelarevićSauvignon from Slavonia. Not surprisingly, sauvignon blanc seems to have found its sweetest spot in the Plešivica area with its cool, moist and sunny slopes that grace the bowl of the area’s naturally-formed amphitheater. There Korak, Šember and Tomac produce crisp, lovely citrus and herbal examples.
Gewürztraminer (“traminac”) does very well in the far-eastern corners of the Slavonia and Podunavlje regions, where it is made into everything from dry, spicy whites to unctuous, richly floral and delicious late harvest and ice wines. Iločki Podrumi is a leading producer in the Srijem wine-growing hills and in certain frosty years Kutjevo wineryand Iločki podrumi make a luscious Ice Wine (“Ledeno vino”) from the variety.
So yes…wines made from familiar international varieties can be found in Croatia – and to a lesser extent on export markets.
That said, international varieties are not the future of Croatian winemaking or marketing program. The “Golden Promise” (I would argue) lies in Croatia’s rich array of indigenous grape varieties. Their individual stories are screaming to be told and are sure to pique intrigue among – and stimulate the palates of – savvy foreign wine buyers and adventurous consumers.
Ray Isle, Food & Wine magazine’s executive wine editor, recently presented “Five Grapes to Expand Your Wine Horizons” in an article for CNN’s Eatocracy blog. Unfortunately none of the grapes he mentioned was from Croatia (the list did include blaufrankisch, known in Croatia as frankovka). The point is, wine drinkers who seek the magic of discovery must look beyond mainstream varieties and venture into uncharted territory: The land of native grapes with charming, sometimes tongue-twisting names.
Once blessed with over 400 indigenous grape varieties, the Croatian Ministry of Agriculture’s official list of cultivars today contains 192 varieties, of which 130 are considered autochthonous (indigenous) to Croatia or the region. Of that number, only three dozen or so are commonly found in modern commercial wines. The “Big Three” of course are graševina, malvasia istriana, and plavac mali, which are – in descending order – the most widely planted wine grape varieties in Croatia.
In our next post we will introduce the “Big Three” – and go beyond, presenting you with the “Magnificent Seven”, a fabulous handful of Croatian wine grapes that you should know. These varieties were selected based on their commonality, the quality of the wine they produce, and their accessibility and presence on both the domestic and export markets.
For fans of even lesser-know varieties, fear not. We will subsequently venture beyond the Magnificent Seven and explore a gaggle of other quirky, interesting and uniquely Croatian grape varieties that did not make the first round. Stay tuned to meet the whole gang – the wild and wonderful Grapes of Croatia! 🙂
For the first-time ever, Croatia finds itself featured in a prominent mainstream U.S. wine magazine.
Wine Enthusiast, one of the leading wine journals in the English language, published three articles in the September 2011 print and online issues, all dedicated to Croatia and its wines, food culture, and appeal as a travel destination.
The September issue, which pronounces Croatia as “An Historic Wine Lovers Paradise” on the cover page, also includes reviews of 16 Croatian wines, as well as hotel, restaurant and winery recommendations by region.
Encompassing seven full-color pages (in the print edition), the lead story by Wine Enthusiast Contributing Editors, Lifestyle & Entertaining, Mike Desimone and Jeff Jenssen (AKA: World Wine Guys) is entitled “Croatia – In Living Color”.
In the article the Wine Guys detail their “journey from north to south along the Adriatic coast”, which they describe as an “underexplored jewel by the sea” that “offers rich history, splendid scenery and epicurean delights—starting in Istria, and then down the Dalmatian Coast, with its 1,000 islands”.
The online version of the magazine offers two additional articles. The first is written by Desimone and Jenssen and is called “Exploring Croatia”.
The article provides detailed hotel, restaurant and winery recommendations based on Desimone’s and Jenssen’s experience while traveling in Croatia in October 2010, when they spent a week visiting Croatia’s capital city, Zagreb, as well as Istria and Dalmatia on the coast – regions they described as “a wine and food lover’s paradise”.
The online version of Wine Enthusiast contains a third article by Kristin Vuković with the mouth-watering title, “Consuming Croatia”highlighting some of the “gastronomical delights” one can experience in Croatia. Inside you’ll find two scrumptious recipes, one for Palačinke (Croatian crêpes) and one for Grilled Mediterranean Branzino with Blitva (Sea Bass with Chard).
Kristin’s yummy recipes are matched with wine pairing suggestions by Certified Sommelier and founder of Wines of Croatia, Cliff Rames.
Wine Enthusiast is a wine magazine, so let us not forget the best part: the wines! The September issue contains scores for 16 Croatian wines in its Buying Guide, including labels from Agrolaguna, Belje, BIBICh, Dingač Winery, Grgić, Iločki Podrumi, Istravino, Korta Katarina, Matošević, and Piližota. All wines were reviewed by Wine Enthusiast Tasting Coordinator, Anna Lee Iijima.
Six of the best-scoring wines are highlighted in the magazine under the headline, “Top Wines of Croatia”. Most notably, two wines were awarded 90-points: Grgić Vina 2009 Pošip and Korta Katarina 2006 Plavac Mali.
If you can, we strongly recommend that you pick-up a copy of the September issue and read all about it. Or check it out online (links embedded above). May we also suggest that when you open this historic issue of Wine Enthusiast, you raise your favorite glass of Croatian wine. It is certainly a time to celebrate!
They say that every journey begins with a single step. The publication of these three articles may have been one small step for Wine Enthusiast magazine, but it was a giant leap for the Croatian wine industry.
From this new height the stars on which so many dreams are planted today seem a little closer. To reach them will require much more hard work, a smart and effective marketing strategy, and new investment in people, ideas, tools and material. Beyond the star that is Wine Enthusiast magazine lie many more stars, solar systems and galaxies. Collectively they form the heavens.
Do we have what it takes to get there?
One additional note: We applaud Korta Katarina Winery for having the foresight and business savvy (and resources) to recognize an opportunity. The winery invested some serious cash to purchase a full-page color advertisement in the September issue for its 2010 Rosé. Readers of the magazine – who may feel compelled to seek out a Croatian wine or two – will in the preceding pages notice a very juicy ad for an excellent Croatian Rosé – one that just happens to be available in the U.S. and other export markets.
With that, Korta Katarina became the first Croatian winery to advertise in a mainstream American wine magazine. The bar has been raised; let us strive to leap higher still!
In Part 2 of this 3-part report, we went inside the festival to explore the venue, meet the VIP guests, and hear about the round table workshop. In Part 3, we provide some general observations about the wines, offer some “names to watch out for”, and mourn a missed opportunity to leave the festival in style. Živjeli!
[Note: The views presented here are strictly my own and are in no way intended to reflect the views of the festival organizers or its sponsors and partners]
Let me begin by saying, two days was not enough time to taste everything, even if it were not for the crowds and the less-than-ideal tasting conditions. Perhaps the organizers would consider extending the festival by one day next year? Just an idea….
Based on what I succeeded in tasting (see special note below), it was clear the quality of Croatian wines continues to rise. While a few of clunkers could be found here and there, a greater number of delicious treasures could be discovered and enjoyed at nearly every table. Overall the wines were well-made, full of character, expressive of a unique terroir, and very drinkable.
It was also great to see so many of the well-established, bigger wineries investing in new winery technology, newly designed packaging, and updated marketing strategies – thereby demonstrating an understanding that they cannot rest on their laurels if they are to survive in the current market environment.Agrokor Vina, a conglomerate that owns several wineries and nearly 1,700 hectares of vineyards, has recently invested heavily in redefining its brands and market presence. The results are now in bottle: many of their brands are very approachable, value-driven, quality wines with attractive packages offered at affordable prices. This could easily propel Agrokor to the lead as a producer of competitive, value-driven gateway wines, especially for the export market.
Not to be outdone, many of the traditional industry-leaders and well-established wineries have stepped up their games, becoming more active with social media, introducing new wines and labels, and taking steps to ready themselves for the international market.
These key players include: Krauthaker (the man who put premium Graševina on the map and whose TBA Graševina landed a much-celebrated place on the wine list of Heston Blumenthal’s The Fat Duckin London)….
Feravino(their new “Dika” and “Miraz” Graševina labels are very approachable and tasty); and Kozlovic(his 2009 Malvazija was the stand-out favorite of Decanter’s Sarah Kemp)…
Matosevic (watch out for his new “Grimalda” wines, a red “Super Istrian” blend and a white Malvazija/Chardonnay/Sauvignon Blanc blend); Kutjevacki Podrum(their “De Gotho Aureus” 2009 Chardonnay just took the silver medal at the 2011 Chardonnay Du Monde competition in France)….
Then there’s: Bura-Mokalo (this dynamic duo of a brother/sister winemaking team are the early pioneers of “cult” Plavac Mali wines; watch out for a new Zinfandel release this year); BIBICh(his new limestone “kamenica”-fermented, long-macerated Debit may take the orange wine category to new heights)….
Caric(produces a lovely, fresh, seafood-friendly white from Bogdanuša, an indigenous variety native to Hvar island; also produces an interesting Beaujolais-style young Plavac Mali called “Novello”; just introduced some very cool new labels too!); and Zlatan Otok(their first-ever commercial production of Crljenak Kašelanski has been scoring very well and is making history as the first-ever commercial production of the “original Zinfandel”).
Even more exciting was to see a new generation of rising-star winemakers who are truly making names for themselves with wines that are clean, well-made, expressive of place, and cleverly and attractively packaged.
Names that come to mind as examples in this category are: Dimitri Brečević (his “Piquentum” Teran and Malvazija wines from Istria are generating a lot of excitement); and Benvenuti(making some very impressive sweet wines from Malvazija Istriana and Muscat of Momjan under the “San Salvatore” label).
Then there’s: Marko Gerzinic(noted for his beautiful stainless-steel fermented Teran and consistently good Malvazija); Franco Radovan (his young Malvazija wine is incredibly pure and fresh; cute label too!)…
Bruno Trapan(with cigar in hand, this young upstart winemaker has rocked the domestic wine scene with a number of recent awards and high scores, especially for his macerated and mature Malvazija wine, “Uroboros”; he recently opened a brand new winery and tasting room in the style of a train depot, called “Wine Station Trapan”)….
Watch out for the “other” white wine of Korčula island (more commonly known for the Pošip grape), made from the indigenous Grk variety (producers Cebalo and Bire are pioneers of Grk wine and are working hard to revive interest in the grape and the quality of the wines); and Grabovac(one of the only producers of sparkling wine in the Dalmatia region, Grabovac is noted for their unique wines made from Kujundžuša and Trnjak – two obscure native grape varieties from the Dalmatian hinterland).
Other names to watch out for: Roxanich (a winery with a rockin’ name, owner Mladen Rožanić is considered the father of the “Super Istrian” red blend; he also makes a wonderful extended skin maceration, wood-aged “Antica” Malvazija that is almost an orange wine;); Moreno Coronica(his ’07 “Gran Teran” is a profound expression of Istria’s native son red grape); Velimir Korak(making elegant Chardonnay and Pinot Noir in the cool Plešivica region); Boris Drenški “Bodren” (for award-winning TBA and ice wines)…
Giorgio Clai (an organic/biodynamic winemaker who produces somewhat inconsistent yet fascinating, terroir-driven wines); Moreno DeGrassi (his “Terre Bianche” blend of Malvazija, Chardonnay, Sauvignon Blanc and Viognier was the fan favorite at the Gala Dinner).
More names to watch: Leo Gracin (“the Professor”; a consultant and winemaking pioneer of the indigenous Babić red variety of northern Dalmatia; his 2008 vintage was another favorite of Decanter’s Sarah Kemp); Frano Milos (long considered a “traditionalist” among Plavac Mali producers, the increasing involvement of his very attractive, twenty-something son and daughter in his marketing and social media activities has injected new energy into his brand; his “Stagnum” Plavac Mali is a cult favorite)….
Luka Krajančić (his Pošip “Intrada” and “Sur Lie” is taking the native Pošip white grape from Korčula island to a whole new level; world class juice!)….
Finally, there’s Saints Hills , whose “Nevina” and “Dingač” wines are well on their way to achieving cult status (Ernest Tolj’s winery now stands poised to release a new and exciting Plavac Mali rosé this spring, “St. Heels” with a sexy, craftily cheeky and irreverent label depicting a pair of women’s high heel shoes. We also eagerly await the first-ever vintage  Plavac Mali wine from the new “St. Roko” vineyard at Komarna).
[Special Note: To all the winemakers I didn’t meet, I’m sorry! It was impossible to make it to every table, and my selection of who to visit was completely random, subject to the surges of the crowd, and dependent upon how much time I had between meetings in the café. I didn’t mean to miss this opportunity to meet you and taste your wines. For what it’s worth, I am very aware of whom I missed, and I hope to one day have another chance to visit you and taste your wines.]
Okay, how can I put this diplomatically….? I spent most of the time at ZWGF starving.
Starving is an odd way to pass the time at a festival that touts the word “gourmet” in its title. The fact is, there was very little to eat, at least I couldn’t find much. Yes, there were the 16 food vendors with their tooth-pick-harpooned nibbles and bites, and the 15 Kuna sandwiches at the café bar….But it was the “gourmet” part that I needed – and was so sadly missing.
Okay, yes – there was the cooking demonstration tent. A couple of us, lured by the scrumptious aromas coming from within, tried unsuccessfully to grab a plate or two of the gourmet dishes prepared by guest chefs. These small plates were randomly handed out to lucky mouths in the audience (the system for receiving one of these tasty-looking offerings seemed to entail being in the right place at the right time) – but not to us.
Mouths watering and defeated, we went to the information booth to ask about our dining options in the vicinity. The friendly (English-speaking)information desk girl told us to go to the shopping center across the highway, where (we were told) there were surely some fast food places….
Having learned my lesson, the next morning I really filled-up at the breakfast buffet in the Westin Zagreb hotel. For an inclusive hotel breakfast, it was really quite an extensive and satiating spread.
It was not until the festival was over that I realized my greatest disappointment of the trip: I had missed “the Slide”.
The Slide? Is it an art exhibit? A secret restaurant?
Nope. It’s a huge metal tube that corkscrews all the way through the center of the Museum of Contemporary Art Zagreb, traveling down from the 4th floor to street level. Given the opportunity, a person could slip into the shiny tube and slide all the way down to the bottom, where he/she would be spit out onto the sidewalk outside the museum. The slide looks like this:
Riding that slide down and out would have been the grandest and most memorable exit from any wine festival ever, anywhere, anytime! Period.
Maybe the museum is not such a bad venue after all. Maybe the organizers will decide to hold ZWGF there next year.
The crowds? Who cares! The hunger? Never mind!
A good whirl on that giant silver slide would have made all of those things just a second thought…a pesky inconvenience…the price of greatness!
In fact it should be mandatory. Everyone should be asked to leave the festival on the slide. What a hoot that would be!
In a recent articlefor Wine Spectator, Matt Kramer wrote that “terroir” is no longer enough to sell wine; most wine regions today hold some claim or another to terroir. What we need more of (writes Kramer) is “narrative”. The question then becomes, what “stories” do the wines or wine-producing regions have to tell?
As silly as it may seem, I mention the slide here because (for me) it suddenly became such a wonderful component of Croatia’s somewhat quirky and complex wine story – a memorable detail that sets ZWGF apart from many other wine expos and festivals.
Despite a few minor glitches and lessons learned, ZWGF demonstrated that Croatian wine producers are ready and able to join hands with the world of wine and take the plunge into the future. While the journey has just begun, the twisting way forward – if smartly navigated with poise and passion – promises to be a lip-smacking, exhilarating ride.
After it was discovered that Croatia is the ancestral homeland of Zinfandel, we have now learned that Chardonnay – the most popular white grape variety in the world – has roots in Croatia. What a great time for wine…!
In an article entitled, “A Banned Variety was the Mother of Several Major Wine Grapes”, which was published in the science journal, Biology Letters, a group of scientists revealed the results of DNA profiling: the two parent grapes of Chardonnay are finally known, and one of them is Croatian. Chardonnay is in fact a cross between the French variety Pinot Noir and an indigenous Croatian variety, Štajerska Belina.
Štajerska Belina – or Gouais Blanc, as the French call it – used to be one of the most common grapes in the Middle Ages, spreading from France over central and all the way to Eastern Europe.
Despite its formerly ubiquitous presence, global experts generally agree that Štajerska Belina originally comes from Croatia.
Historically, Štajerska Belina (Gouais Blanc) was considered a inferior variety that was mainly planted by farmers and peasants. In France, Gouais Blanc was typically planted in the flatlands for peasant consumption, while the nobility grew the grapes of the Pinot family in the highlands.
Because of its poor quality, Štajerska Belina was eventually banned and became extinct in France. In Croatia it can be found in the vineyards of the northwest and central parts of the country, but it is rarely bottled as a single-varietal wine and is mostly consumed locally as a homemade blended table wine.
The Croatian origin of Chardonnay is further evidence of the region’s contribution to the development of modern day viticulture. For the second time since the Zinfandel discovery, a Croatian indigenous variety has entered the lexicon of the international wine community. Isn’t that fantastic?
While Štajerska Belina is not as highly esteemed as Zinfandel, its contribution to the world of wine cannot be denied.
It is interesting that Gouais Blanc (or Štajerska Belina, one of countless synonyms) crossed with Pinot Noir to produce not just one of the world’s most important grape varieties, Chardonnay, but others as well. Crossings of the same two grapes also spawned such notable varieties as Gamay (the famous grape of Beaujolais), Aligote, Auxerrois, Franc Noir, and Melon.
We could say these grape varieties are all different children of the same parents. Interestingly enough, the children are both red and white varietals. For instance, white Chardonnay and red Gamay. It’s the same as with puppies – when the parents are of different colours, the pups are white, black and mixed.
Today Croatian winemakers can introduce their Chardonnays to the world with more courage – after all, it is partly Croatian.
Even though Chardonnay has been present in our vineyards for many decades, its quality was never worthy of the best international wines like the ones from Burgundy’s Montrachet or California’s Napa Valley.
Yet in the last ten years we have witnessed the arrival of names like Krauthaker Rosenberg, Kutjevo de Gotho Aureus, and Korak Sur Lie – Croatian Chardonnays that can stand next to the best wines without any hesitation.
Chardonnay likes poor soil and limestone, conditions that are not common in the Continental wine-growing region of Croatia. Unfortunately, in Dalmatia – where there is plenty of limestone – the climate is too hot for Chardonnay.
However, the Istria regional of Coastal Croatia offers some hope, with Matošević winery leading the way that other new faces on the block have started to follow. Two examples are Meneghetti and Saints Hills (who blends Chardonnay with Malvazija).
An Excellent Croatian Chardonnay:
Meneghetti Bijelo 2007
To be fair, Meneghetti Bijelo is not a pure Chardonnay but is a blended wine – probably with Pinot Gris and Malvasia (the producer does not mention the blend components on the label). However, the Chardonnay character totally overpowers the other possible varieties in the blend. Its style is reminiscent of the popular Collio from the Italian Friulli region or the neighboring Slovenian Brda region, areas which have climates and soils similar to Istria. Some of the best Chardonnays in the world (Silvio Jermann) also come from that region.
The aroma is intense, steady, rich and very sophisticated. Abundant aromas of the yeast are mixed with dried fruit, vanilla and traces of citrus fruits. Hints of wood are still strongly present, so it is best to wait two years before consumption to allow for the wood to integrate. The taste is extraordinary, full and lively at the same time, with ideal acids, lightly creamy, markedly mineral, with exceptionally long and lasting aftertaste. This wine is similar to the previous vintage, but it is richer and more harmonious, with – and this is very important and too rare in Croatian Chardonnays – a potential for long-lasting ageing.