Sensory overload. That is how I would describe any one of my whirlwind visits to Croatia.
I mean it in a positive way. The country is simply brimming with vinous, culinary and natural delights. Gnarly old grapevines improbably clinging to sun baked seaside slopes. Nearly 1,200 islands sprinkled like seashells on the impossibly blue Adriatic. Countless villages and hamlets of seminal charm nestled in coves and on mountainsides. Fresh caught seafood and farm-to-table produce so succulent and cooked to perfection. The warm faces of family, old friends and new acquaintances (and an occasional donkey). Swoon-worthy views and secret spots where you can enjoy the sights and sounds of nature that – to this New York City boy – are so intimate, pure and wonderful.
And then there is the wine. Indigenous grapes, local producers. Most of it delicious and distinct. So this is what all this beauty… this land…this Croatia tastes like, you may be inspired to declare.
Every once in a while something fine and rare occurs that makes you stop and appreciate the wonders of the universe: Haley’s Comet; double rainbows; black diamonds; a Honus Wagner baseball card; the aurora borealis; a Led Zeppelin reunion; snowy owls; mammatus clouds; old vintage Riesling; a taxi in NYC on a rainy day….
And then this happened: on the first day of spring, Pioneering Croatian winemaker Alen Bibić of BIBICh Winery arrived in the United States to personally conduct a tasting of his wines from the Dalmatia region of coastal Croatia.
Although it was Mr. Bibić’s fourth visit to the U.S. in eight years, what made this visit extraordinary was that it resulted in the first-ever tasting in New York City – and America – of a flight of seven wines made from the debit grape variety across a full range of styles.
The purpose of the tasting – held at Café Katja on March 20, 2014 and organized by Blue Danube Wine Company with the clever and whimsical #Danubia hashtag – was to highlight the “flexibility” and multi-layered personality of the debit variety and dispel antiquated notions (still held by some winemakers in Dalmatia) that debit is a simple variety meant for table wines and not worthy of merit or aging.
Debit is a late-ripening white grape variety that grows throughout the hot, arid region of Dalmatia and islands of coastal Croatia. It is believed to have migrated to Dalmatia from Puglia, Italy (where it no longer exists) many centuries ago (Dalmatians also refer to debit as “puljižanac”, which means “of Puglia”), and Mr. Bibić suspects that historically debit may have originated in Turkey. Despite the similar name, debit and pagadebit are two genetically different varieties.
But it is in the mountainous area of northern Dalmatia around the charming port town of Skradin where debit finds its sweet spot. This is where Mr. Bibić’s vineyards thrive in stingy, limestone-laced soils among olive groves, fig trees, scrub oak, wandering goats and wild Mediterranean herbs.
Ever since inheriting vineyards from his grandfather, guiding the family winery through troubled times marked by war, economic challenges, and now integration into the European Union, Mr. Bibić has stood firm in his mission: to champion and pay homage to the native grape varieties in his vineyards by allowing them to express the best of their character in his wines. Often that means stepping aside and letting the wines “make themselves”. To accentuate this point, Mr. Bibić referred to himself more as a switchman on a railroad rather than a winemaker. “The train doesn’t stop”, he said of the winemaking process. “It just goes. I just help to direct it in the right way”.
When I mentioned to the guests gathered at the tasting that Mr. Bibić was the first Croatian winemaker to export debit wines to the U.S., Mr. Bibićh interjected: “Actually I am not the first to export. Our wines from Dalmatia have been made for centuries and in ancient times were exported all over the world by boat”. Today, most of the BIBIĆh winery’s production is exported, and the first debit wines arrived in the U.S. in 2007.
Mr. Bibić’s portfolio of wines now includes about 17 labels (not all are exported to the U.S.), including many delicious reds made from local native grapes such as babić, plavina, and lasin. He also produces some incredibly tasty syrah and grenache.
But on this visit to NYC it was debit that he wanted to showcase: “This was the wine my grandfather drank, the white wine that our ancestors in Dalmatia always had on their tables”.
And although he dismisses the notion that he is a pioneer – but rather a guardian of tradition, anyone who has spent time with him (including Anthony Bourdain ofNo Reservations) cannot help but be amazed and impressed by Mr. Bibić’s level of knowledge and passion, his sincere hospitality toward visitors to his winery, his seemingly endless energy (I mean, when does this man sleep?), and his dogged determination to pay tribute to his homeland by showcasing through his wines local native grapes and the distinctive terroir of his vineyards.
In true style, Mr. Bibić makes it seem easy – and his wines, which get better with each vintage, go down the hatch even smoother. Judging by the reaction of the guests at the #Danubia tasting, debit just gained some new believers.
1. BIBICh Brut Sparkling Debit (NV): Made from debit grapes harvested a little early, this wine is light and leesy, creamy yet vibrant, elegant and refined, with subtle citrus, white flower, salty minerals, and bitter almond notes. Not simple nor overly complex but pleasant, clean, and layered with bright fruit, a tight mineral structure, and a breezy, refreshing finish. Bring on the oysters! (Not yet imported)
2. BIBICh 2013 Debit: Pale straw colored, distinctly marked by a chalky minerality, crisp citrus, green apple, and white flower notes, and a pithy, salty bitter finish that make it a perfect foil for most mild seafood dishes. $16
3. BIBICh 2011 R5: An equal part blend of debit, pošip, maraština, pinot gris, and chardonnay aged for one year in a mix of new and used American oak. This is a winemaker’s cuvee that Mr. Bibić says reflects his personal taste (“This wine says Alen Bibić”, he noted). It is mildly and pleasantly oxidative with a rich golden color, slightly oily texture, and a Sherry-like character marked by notes of brown butter, hazelnuts, apricot, roasted Mediterranean herbs, and a slightly wild, briny mineral presence. Both rustic and refined, this is a wine to contemplate on its own or enjoy with Asian-inspired dishes. $19
4. BIBICh 2010 Lučica: A single-vineyard debit from vines planted by his grandfather that are now 54-years old. This wine was fermented in American oak barrels and then aged in wood for one year. While 2010 was a cooler, rainy vintage that caused vinous troubles elsewhere in Croatia, you would not guess it by the rich, oily and lush character of this wine, expressed in complex notes of candied orange peel, apple cider, roasted nuts, brown butter, sun-drenched Dalmatian stones, and oyster brine. Do not serve it too cold! $35
5. BIBICh 2011 Lučica: The warmer, drier 2011 vintage imparts similar but deeper, richer tones (in comparison to the 2010) to this single-vineyard debit: Apricot, bruised apple, candied citrus, honey, salted caramel, roasted nuts, and powdered limestone. Oily and savory, with a slight tannic bite and long, harmonious finish, this wine is captivating in its ability to juxtaposition funkiness and elegance. A unique and compelling drinking experience! (The 2011 is not yet available for purchase; 2010 is current)
6. BIBICh 2006 Bas de Bas Bijelo: 90% debit (with a 10% field blend of other local grapes varieties), this is wine the way Mr. Bibić’s ancestors would have made it (“a white wine that drinks like a red”): three months skin maceration and then fermentation in large limestone vats called “Kamenica”, followed by extended aging in mixed oak casks. An “orange” wine that is powerful without the punch of high alcohol – it’s only 12.5% ABV. Richly textured with a firm structure provided by grape skin tannins and layered with a complex array of aromas such as dried peach, orange pith, fresh fig, roasted herbs, caramelized parsnip, and Himalayan sea salt. Bas de Bas is produced with no added sulfites. $60
7. BIBICh Ambra Prošek (NV): Dalmatia’s traditional dessert wine is prošek (for more about prošek, click here), and Ambra is made from debit grapes that were dried on straw mats for 3 months, fermented with native yeasts, aged for years in oak vats, and then blended as the barrels become ready. Dark amber in color, Ambra is vibrant and nimble (despite its sweetness), with delicious, long-lasting flavors of dried fig, caramel, candied orange, honeyed nuts, and a savory note akin to roasted herbs and spicy tobacco. A little goes a long way, and this wine is an awesome value at $50.
Suddenly the sweet fruits of Croatia’s July 1st ascension to the European Union have turned to sour grapes. At least when it comes to wine.
Not just any wine, mind you, but one with a centuries-old tradition that is a strong symbol of national pride and family life, as well as a trusted elixir that locals depend upon to treat ailments and celebrate important milestone events in their lives.
Are we talking about Prosecco? Heck, no.
I mean no disrespect to Prosecco. It’s a delightful wine. Simple, bubbly, festive. A popular patio pounder for summer days by the pool. An ingredient in trendy cocktails. Italy, through the venerable Consorzio di Tutela del Prosecco di Conegliano Valdobbiadene (the Consortium), deserves to be proud and should protect it. It’s a cash cow, a wildly successful product that supports multiple Italian winemaking regions and helps to keep many wholesalers, advertising and public relations firms in business.
Sounds completely harmless, right?
Not exactly. As the Wall Street Journal recently reported in an article entitled, “A European Name Game Uncorks a Tempest in a Wine Cask”, Croatia’s right to continue using the traditional name “Prošek” for a small-production dessert wine made from sun-dried grapes is under attack. The European Union, prodded on by the Consortium, fears that the two names are too similar and that consumers (you and I) will be confused, thus harming the Prosecco brand and endangering a 300-million-bottle-a-year industry.
So how can one obscure, tiny-production, barely-exported sweet wine called Prošek pose such a threat to mighty Prosecco? Simply put, it doesn’t. But pride, mistaken perceptions, protectionism, and the demands of the powerful often align to trump common sense.
In an attempt to expose the absurd nature of this mess, cut away all the confusion, and clarify the debate, here are 12 ways in which Prošek can be easily differentiated from Prosecco – and visa versa. The bottom line is, consumers have nothing to fear – nor do Prosecco producers or the European Union.
I realize that at this stage in the game these arguments may be mute. But for the sake of posterity perhaps there is some value in showing why Croatia should be able to keep on calling its Prošek “Prošek” – as it has done for centuries – while also distinguishing and respecting Prosecco’s rightful place in the world of wine.
1)Custom and Tradition
The method for making Prošek is ancient and apparently dates back to the arrival of the Greeks to the Dalmatian islands in the 4th century B.C. However, the first written mention of Prošek occurred in 1556, when the Croatian poet Petar Hektorović in his famous work, Ribanje i Ribarsko Prigovaranje (Fishing and Fishermen Talk), lists the local sweet wine among the provisions he and two companions pack for a three-day fishing expedition on the Adriatic Sea.
As on Petar Hektorović’s boat, in the Dalmatia region of Croatia a bottle of Prošek is never far from hand. A straw-wrapped jug of homemade Prošek can usually be found hiding in the pantries and cellars of every household and, if you are lucky, a taste is offered (alongside a plate of dried figs and biscuits) when you arrive as a guest.
Croat families proudly pass down Prošek recipes through the generations. It is often used as an ingredient in traditional holiday cookies and cakes. Parents set aside bottles from the vintage in which a child was born and then customarily open them on the child’s wedding day. Prized bottles are gifted from one family to another at Easter, Christmas and other special occasions. New mothers slurp a spoonful after giving birth to help them mend and regain strength. Suffers of anemia and other ailments are urged to sip some Prošek to bolster the blood.
Old wives’ tales? Perhaps. But these stories serve as seminal evidence of Prošek’s deep-rooted contribution to Croatian culture and its firm place in the social lives of Croatians throughout the centuries.
Prosecco too has an impressive history, with some vineyard sites in the Conegliano Valdobbiadene zone estimated to be over three hundred and some even a thousand years old. Yet the first written reference to the wine did not arrive until 200 years later (in 1754), when (according to Wikipedia) a fellow named Aureliano Acanti wrote, “And now I would like to wet my mouth with that Prosecco with its apple bouquet“.
This dated but cute quip could easily serve as a contemporary marketing slogan for Prosecco. Indeed today’s consumer identifies with Prosecco as a metropolitan, early-drinking, affordable and pleasant everyday quaffer. According to a report in Meininger’s Wine Business International, consumers do not identify with, or care all that much about, Prosecco’s history, background story, or protected DOC status (granted in 1969) and much-heralded DOCG status (approved in 2009). They do care about access to low-priced, easy-to-understand and appreciate alternatives to pricier sparkling wine.
Prosecco is a product of the modern world. Modern technology (the Charmat tank, autoclaves, sterile filtration, bottling under pressure) has enabled Prosecco to be produced in mass quantities and become the very successful and ubiquitous export product it is today.
Unlike Prošek, wine lovers buy bottles of Prosecco for casual consumption and instant refreshment – not to tuck away for decades or until their children get married. In fact, consumers are advised to purchase Prosecco young and avoid bottles that have been too long on the shelf. Conversely, an intact bottle of Prošek from 1899 was recently discovered in the cellar of a wine bar on Hvar island.
How do you like them apples?
The two names – while similar – are written and pronounced in completely different ways. “Prošek” is enunciated as “Pro-shek”, while “Prosecco” is pronounced “Proh-sec-coh”. Two syllables versus three. A “sh” sound as in “Shirley” versus a “sec” sound as in “secular”.
Prošek is produced from any one or a blend of several different varieties – white and red – indigenous to coastal Croatia. Permitted white varieties include bogdanuša, dubrovačka malvasija, grk, malvazija istarska, maraština, plavac mali, prč (aka parč), pošip, tarpinka, trbljan, vugava, andžlahtina. Red varieties are primarily babić, lasina, plavina, and plavac mali.
Prosecco is most often produced from the glera grape variety (previously known as prosecco), but small amounts of bianchetta, charnonnay, perera, pinot noir, and verdiso are permitted.
4)Area of Production
Prošek is produced all along the Adriatic coast of Croatia but mainly in southern Dalmatia and on many of the islands where vineyards thrive in limestone soils among olive, fig, and pine tree groves. As winemaker Alen Bibićobserved to the Wall Street Journal, when you sip on Prošek, “you can feel the Mediterranean”. Dried fig, raisin nectar, candied orange peel, and roasted nut characteristics reflect the wine’s sun-baked, seaside terroir.
Prosecco is clearly a product of Italy, where it is produced throughout the Veneto, Friuli Venezia Giulia, Conegliano, and Valdobbiadene regions in the northeast corner of the country. Much of the growing area lies in the foothills between the Dolomites and the Adriatic Sea, with the highest vineyard elevations located in the Valdobbiadene zone, particularly in Cartizze. The clean, zippy green apple, fresh melon, and citrus character of the wine reflects its pristine Alpine terroir.
5) Production Amounts
Traditional Prošek is typically made by small, family-owned wineries, of which 27 are registered producers (I do not count the non-traditional, industrial Prošek produced from cooked musts and caramelized sugar, such as the supermarket products from Dalmacijavino and Vinoplod) with an annual production of 15,000 liters – or 30,000 500 ml bottles. For example, BIBICh winery produces about 5,000 bottles a year of the multi-vintage BIBICh Ambra, while in a good year Andro Tomić of Bastijana winery produces up to 4,000 bottles of his acclaimed Hektorovich Prošek.
Over 3,000 registered wineries produce Prosecco in Italy, and over 2,400 are members of the Consortium. The Prosecco DOC zone contains 19,700 hectares of vines planted to allowable varieties, and the Consortium reports that another 5,650 hectares are registered within the DOCG growing area (for a grand total of 25,350 hectares). Wine production amounts total approximately 225,000,000 liters – 300 million bottles a year.
By comparison, the total area planted to all varieties across every winemaking region in Croatia equals 24,000 hectares, with approximately 10,000 hectares under vine in Dalmatia where Prošek varieties are cultivated as a minor component of the grapes reserved for still dry wines. Total wine production in Croatia amounts to 60 million liters – or 80 million bottles – of all types.
At 15,000 liters, Prošek production equals less than 1% (.025%) of the total amount of wine made in Croatia and .006667% of Prosecco production.
Prošek is made from grapes harvested with a sugar level of 100° Oechsle (approximately 23.5 Brix, or the equivalent of the German Auslese classification). Once harvested, the clusters are laid out on straw mats to dry in the sun for 3-4 months or until the grapes shrivel and achieve a sugar concentration of 120° Oechsle (28 Brix, or the equivalent of Beerenauslese). The grapes are then crushed and the must is macerated for 2-5 days, when the juice is pressed off the skins. Yeast must be selected based on its ability to function in a thick must with a high concentration of sugar. Fermentation can be extremely slow – often lasting up to a year or longer. Once the wine has finished fermenting, it is then aged in wood casks (usually older, neutral wood) for a minimum of one year. Most producers do not filter the wine. Typically it takes about 1 kilogram of dried grapes to produce 750 ml of Prošek.
Grapes for Prosecco are harvested with low sugar levels and high acidity. The (usually) non-vintage wine is produced using the Metodo Charmat (tank method), whereby the secondary fermentation takes place under pressure in large steel tanks called autoclaves and not in the bottle, as with Champagne (Méthode Champenoise). The idea, as described by Tom Cannavan in Wine-pages.com, is to “capture the fresh fruitiness” of the glera grape and highlight the wine’s distinctive “icing sugar and lemons” character. The wine is then bottled under pressure to retain its carbonation and quickly shipped off to market.
7) Wine Styles
Prošek is a still wine with a minimum alcohol content of 15%-22% that has been aged in wood for at least one year. Residual sugar content ranges from 70-150 grams per liter (g/l). Prošek is dark, thick, unctuous, and sweet, with flavors of dried fig, raisin nectar, coffee, toasted hazelnuts, burnt toffee, candied orange rinds, honey, vanilla, and carob.
Prosecco is a sparkling wine with an average alcohol content of 11% and no wood exposure or influence. Depending on the level of carbon dioxide, Prosecco can be either Spumante (3.5 bars of pressure) or Frizzante (1.0-2.5 bars of pressure). Styles include Brut (0-13 g/l residual sugar), Extra Dry” (12–17 g/l) and “Dry” (17–32 g/l). Prosecco is light, bubbly, delicately perfumed with notes of citrus, apple, melon, and spring flowers.
8) Wine Color
Depending on the types of grapes used and the age of the wine, the color of Prošek can range from deep gold to amber, neon orange, maple syrup, and dark brown.
Prosecco is simply straw-colored or light to medium yellow with a watery white rim.
9) Bottle Shape
While there is no standard bottle shape for Prošek, traditionally it is stored in large straw-covered jugs or demijohns for home or non-commercial use. When available for commercial sale, dessert wine bottles of 375-500 ml are the norm. These vessels are often fancy and oddly shaped and include short, small jug-like bottles (BIBICh Ambra) to tall clear cylinders and tapered obelisks.
Prosecco is typically packaged in the easily-identifiable and customary sparkling wine bottle, which is similar in shape to the Champagne bottle and includes the mushroom-shaped cork and often a metal cage under a foil wrap. Prosecco can also be packaged in aluminum cans similar to those used for beer.
Customarily Prošek is served in a small, tulip-shaped dessert wine glass. However, there is no “official” serving glass; any small, flared-rim vessel will do.
The most commonly used glass for Prosecco is the Champagne flute.
11)Availability on Export Markets
Ask yourself this: When was the last time you saw a bottle of Prošek in your local wine shop? Most likely the answer is, never. Because of the tiny production, very little of Croatia’s famous dessert wine is exported. In the U.S. BIBICh Ambra Prošek is imported by Blue Danube Wine Company but in such limited quantities that it quickly sells out. If you are in the NYC area, Bin 56 wine bar in Huntington, NY serves BIBICh Ambra Prošek. Grab a glass while it lasts!
Needless to say, Prosecco is ubiquitous and warehoused in wine shops everywhere. It is often the best selling sparkling wine in wine bars and restaurants. To highlight this point (according to Shanken News Daily), in 2012 the top six Prosecco brands in the U.S. collectively represented 1.6 million cases (19.2 million bottles) of wine, with an annual sales growth of about 35%.
That’s a lot of bubbly.
Prošek: A 500 ml bottle of BIBICh Ambra Prošek retails for about $50.
Prosecco: Retail prices in the U.S. for a 750 ml bottle range from $10 to $20 for DOC bottles, and a bit more for DOCG labels.
Similar-sounding words and spellings abound in the English language – and presumably in other languages. Take, for example, the head-spinning number of wine grape varieties that begin with the letter V: Verdejo, verdelho, verdello, verdicchio, verdiso, verduzzo, vermentino, vernaccia, vespaiola, vespolina, vignoles, vinhão, viognier, viosinho, viura, vugava…. Yikes!
Yet no one seems to be getting too excited about that muddled madness. Governments are not demanding new rules and regulations to sort it all out. Why? Because they are just names and we humans are able and accustomed to figuring out the subtle variances. I know a guy named Dana and a girl called Dayna. I would have to be a dope to confuse the two.
Then there’s McDonald’s and McDoogal’s. One is a famous hamburger conglomerate, the other an Irish pub in Kokomo, Indiana. Each has its loyal customers. And I think it’s safe to say that not one of us is foggy about which assembles Big Macs and which tops off Guinness on tap.
Slovenia, Slovakia, Slavonia. The first two are each sovereign countries, the latter a wine-growing region in Croatia. All three manage to survive, despite their names sounding alarmingly alike. And I suspect that few travelers would accidently board planes for Slovenia when they meant to go to Slovakia.
Prošek and Prosecco. The first: a hand-made, limited-production, sweet dessert wine that will never be exported in large quantities and most likely attracts only consumers who have heard of it and seek it out. The latter: a mass-produced, widely distributed, usually dry to off-dry sparkling wine that is synonymous with summer, quick refreshment, and good cheer.
Simply put, the two wines have NOTHING in common, like apples and oranges. Cannot they happily co-exist without bureaucrats in Brussels spoiling the brew?
In that wonderful spoof of a movie from 1980, Airplane!, an in-flight emergency prompts Dr. Rumack (brilliantly played by the late-great Leslie Nielsen), to ask Ted Striker (an ex-pilot suffering from a fear of flying played by Robert Hays), if he can safely land the jet. Striker responds, “Surely you can’t be serious?” To which Dr. Rumack famously retorts, “I am serious. And don’t call me Shirley”.
So let us not call Prošek Prosecco. Or visa versa. Surely we are all sophisticated enough to manage that without getting ourselves tied up in knots and discovering that the bottle we just grabbed off the shelf is not our beloved wine.
“I make high quality wine, and along the way I have fun too.” –Juraj Sladić
In the village of Plastovo, the Sladić family (http://www.vinasladic.com/) has been making wine for generations. With the passage of time this time-honored tradition has been handed down from family member to family member. Now the time has come for a new beginning, a fresh infusion of youthful energy.
For Marinko Sladić, the current winemaker at the Sladić estate, the time has come to pass the torch, and the decision about who shall inherit the land is easy: Juraj, his eldest son, has been helping out in the vineyard and cellar for years.
For Juraj, a student of the University of Agriculture in Zagreb with just one exam left before graduation, there is no doubt: he is ready to return to his family’s vineyard and make his father proud.
“As soon as I learned to walk, my father led me to the vineyards, and I immediately gabbed onto a hoe”, Juraj remembers with a smile.
He openly admits that attending the University of Agriculture wasn’t his first choice; he wanted to study languages.
Knowing that his father carried all the weight of the family’s wine production responsibilities on his shoulders, Juraj decided to listen to his wisdom and do something that would eventually help him.
Soon Juraj found himself sitting in a University classroom listening to lectures about fermentation, bottles and casks, and grape varieties. Before he knew it, he was daydreaming about the labels that would one day grace his bottles and celebrate the family’s Debit and Plavina wines.
“I wanted to take the family tradition to a new level, higher heights. So I decided to study agriculture. This job is a dream come true. It combines heavy physical work, which actually relaxes my mind. Besides that, it’s a profession in which you can travel a lot and meet many different people.”
Juraj then showed off the new label that he conceptualized and designed with his younger brother, Ante. It is for a wine that will be called “Juran”.
His brother Ante has chosen a similar path. Once he finished electrician school, he plans to turn his attention to winemaking.
We were curious to find out who learn from whom, sons from father, or father from sons.
“From my father I learn the practical, hands-on stuff”, say Juraj. “From me he learns the theories.”
Younger brother Ante then adds: “I learn from them both and keep quiet”.
The Sladić family jewels are four indigenous grape varieties – Debit, Maraština, Plavina and Lasina – that number 8,000 vines in total. Juraj, beaming with boundless enthusiasm and love, drew a map and showed us where each and every one grows.
“Maraština grows in the youngest vineyard; we plan to fully convert this vineyard to natural growing techniques. As for Debit, we are determined to return it to its former glory. Over the last 50 years, Debit became an underrated and underappreciated variety because of the way the big wineries treated it, basically making cheap blends from it”.
In regard to the red varieties, Jure tells us how Lasina was nearly a forgotten variety, yet it shows great potential.
The quality of Sladić wines was given credibility when Croatian-American sommelier, Cliff Rames, recently tasted them and gave a positive review to the 2009 Debit. (Editor’s note: the review is included below.) Now bottles of Sladić wines are highly sought all over Croatia, from Rijeka to Split.
Even though Sladić wines seem to shine with something special, this is not an accident, but clearly the result of three generations’ worth of love and passion invested in the vineyards and the final product.
Sladić 2009 Debit
“A nice example of what a fresh style Debit should be – light, refreshing, with just enough aromatics to make it interesting but not enough to interfere with delicate seafood and other light foods that it can accompany. The crisp acidity and bitter note on the finish made it an excellent palate cleanser, and the combination of sea salt, citrus and floral notes make this a very attractive and delicious wine. A clean, straightforward and very refreshing style that should be served very cold. Best when paired with oysters, white, delicate fish, and green salad with fresh goat cheese.” (Cliff Rames)
Master Sommelier, Fred Dexheimer, also shared his tasting notes of the Sladić 2009 Debit on Twitter: “Indigenous central coast grape of Croatia. Seashell, lemon a touch of bitterness. Can taste the sea! Albarino-like!”